Unit of competency Outline
Date retreived
23/07/2026 4:29 PM AWST
23/07/2026 4:29 PM AWST
Whilst all efforts are made to provide accurate and timely information from the relevant source/documentation, please be aware that the information supplied may not be the most current version. The accuracy of the detail has not been confirmed by the Department and therefore should not be relied upon without first confirming the contents.
Assemble and maintain sets
Assemble and maintain sets
Unit of competency
National Code
CUFSET301A
CUFSET301A
State Code
D1188
D1188
TGA Status
Replaced
Replaced
DTWD Status
Replaced
Replaced
State Implementation and Classification
Approved Date
31/10/2008
Field of Education
100103 - Drama And Theatre Studies
Original Release Date
31/10/2008
Nominal Hours
60
Description
This unit describes the skills and knowledge required to assemble and maintain sets for productions in television, film, entertainment and interactive media industries.The National Standard for Licensing Persons Performing High Risk Work applies to persons performing dogging and rigging work. Completion of the following units is required for certification at either basic, intermediate or advanced levels.CPCCLDG3001A Licence to perform doggingCPCCLRG3001A Licence to perform rigging basic levelCPCCLRG3002A Licence to perform rigging intermediate levelCPCCLRG4001A Licence to perform rigging advanced level.Sets and staging for some performances or events may fall within the definition of construction work. If so, people entering a construction site are required to complete the general induction training program specified by the National Code of Practice for Induction Training for Construction Work (Australian Safety Compensation Council, May 2007).Achievement of the unit 'CPCCOHS1001A Work safely in the construction industry' fulfils this requirement.
Notes
Elements and Performance Criteria
Prepare sets for production
- 1. Liaise with relevant production personnel to confirm production requirements
- 2. Review documentation relevant to production and analyse to ensure set requirements are fully met
- 3. Document condition of sets from all sources to ensure they meet required quality standards for production
- 4. Identify and repair faults or arrange with relevant production personnel to carry out specific alterations where applicable
- 5. Ensure sets are labelled, coded and stored to facilitate production requirements
- 6. Ensure relevant production personnel are briefed thoroughly on use, functions and placement of sets, including requirements for complying with OHS regulations
Pack sets for transport
- 7. Assist relevant production personnel to coordinate plans for transport to, and assembly of sets at, production sites
- 8. Confirm availability of adequate facilities to meet set requirements at production sites
- 9. Conduct checks on all equipment and sets prior to departure and complete documentation according to enterprise procedures
- 10. Pack sets in appropriate containers for transport to production sites and load using safe lifting and handling methods
- 11. Complete stock orders as required and ensure delivery to production sites in line with production requirements
Assemble and strike sets during productions
- 12. Check availability of set requirements and equipment and confirm with relevant production personnel any variations to original production requirements
- 13. Brief relevant production personnel about safety features and requirements associated with sets as applicable
- 14. Assemble sets ensuring all work is completed safely, securely and on time
- 15. Reassemble or strike sets according to production requirements ensuring continuity and appearance of sets are maintained
- 16. Assess whether damaged sets can continue to be used in production and arrange for replacements where necessary after referral to relevant production personnel
- 17. Ensure sets no longer required during production are stored securely and safely or returned to original sources in good condition
Strike sets
- 18. Strike sets at conclusion of productions and safely pack and load for transportation
- 19. Arrange return of items and equipment to original sources as applicable
- 20. Report equipment that is damaged and requires maintenance to relevant production personnel and document requirement
- 21. Finalise required documentation according to enterprise procedures and protocols
- 22. Leave production site in original or improved condition, ensuring no adverse impact on the site
RANGE STATEMENT
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Production personnel may include:
art director
continuity personnel
costume designer
designers
director
director of photography
floor manager
head of department
performers
producer
production designer
production manager
set designer
sets department personnel
sets makers, e.g. carpenters
sets manager
sets storeman
stand-by sets
technical director
other technical/specialist staff.
Production requirements may include:
animatronic devices
cable controlled sets
day and night
deadlines
electrically controlled sets
flooring
hazardous situations
hydraulics
interior and exterior locations
lifts
mechanised sets
multiple locations
pneumatically controlled sets
revolves
scaffolding
special effects sets
winches.
Documentation may be:
call sheets
colour charts
computer generated
confirmation of receipt and dispatch notes
continuity reports and checklists
descriptive checklists of sets
fault reports
hire agreements
manually written
manufacture schedules
manufacturer specifications and instructions
measurement charts
memos of instruction
paint colour formulas
production schedules
running sheets
set designs
sets breakdown lists
sets schedules and plans
sketches
stock orders
stock reports
technical drawings.
Productions may include:
animations
commercials
documentaries
feature films
interactive media
live or pre-recorded television productions
live theatre and events
music videos
short films
television productions of any type.
Set requirements may include:
construction from various materials, such as:
timber
metal
fibre glass
masonite
plaster
plastic mouldings
canvas
gauze
synthetic and natural fibres
gluing
metalwork, including:
cutting
welding
brazing
moulding materials
painting materials
sculpting and other shaping methods
weight bearing construction
woodworking.
Sets may include:
cycloramas and backdrops
flats
flown pieces
functional rooms, e.g. kitchen
models, e.g. dinosaurs
rostrums
soft items, e.g. drapes
stairs
traps
treads.
Sources may include:
corporate sponsors
hirers
individuals
museums
retail suppliers, e.g. hardware and timber merchants
theatres.
Faults may include:
breakages
dirt
fire damage
marks
poor paint match
rips
stains.
OHS regulations may include:
Australian Recommended Safety Code for Film and Television
commonwealth, state and territory OHS regulations
relevant local government construction rules and regulations
relevant national and international standards, guidelines and codes of practice, e.g. the Building Code of Australia.
Production sites may include:
in a studio
on location - exterior
on location - interior
outside broadcast
sound stage
theatre and entertainment venue.
Facilities may include:
caravans
catering
French braces
lock-up facilities
offices
on-site sheds
safes
sand bags
secure strong boxes
warehouses.
Equipment may include:
communication equipment, such as:
mobile telephones
two-way communication devices
fire extinguishers
first aid kit
generators
gloves
power sources
power tools
safety boots
safety goggles and masks
spray rooms
work benches.
Containers may include:
boxes
braces
cloth bags
crates
road cases
timber frames
tubes.
Continuity may include:
condition, e.g. rips and breakages
mechanical sets, e.g. lifts
miniatures
models
paint quality
placement
special requirements for action sequences.
The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.
Production personnel may include:
art director
continuity personnel
costume designer
designers
director
director of photography
floor manager
head of department
performers
producer
production designer
production manager
set designer
sets department personnel
sets makers, e.g. carpenters
sets manager
sets storeman
stand-by sets
technical director
other technical/specialist staff.
Production requirements may include:
animatronic devices
cable controlled sets
day and night
deadlines
electrically controlled sets
flooring
hazardous situations
hydraulics
interior and exterior locations
lifts
mechanised sets
multiple locations
pneumatically controlled sets
revolves
scaffolding
special effects sets
winches.
Documentation may be:
call sheets
colour charts
computer generated
confirmation of receipt and dispatch notes
continuity reports and checklists
descriptive checklists of sets
fault reports
hire agreements
manually written
manufacture schedules
manufacturer specifications and instructions
measurement charts
memos of instruction
paint colour formulas
production schedules
running sheets
set designs
sets breakdown lists
sets schedules and plans
sketches
stock orders
stock reports
technical drawings.
Productions may include:
animations
commercials
documentaries
feature films
interactive media
live or pre-recorded television productions
live theatre and events
music videos
short films
television productions of any type.
Set requirements may include:
construction from various materials, such as:
timber
metal
fibre glass
masonite
plaster
plastic mouldings
canvas
gauze
synthetic and natural fibres
gluing
metalwork, including:
cutting
welding
brazing
moulding materials
painting materials
sculpting and other shaping methods
weight bearing construction
woodworking.
Sets may include:
cycloramas and backdrops
flats
flown pieces
functional rooms, e.g. kitchen
models, e.g. dinosaurs
rostrums
soft items, e.g. drapes
stairs
traps
treads.
Sources may include:
corporate sponsors
hirers
individuals
museums
retail suppliers, e.g. hardware and timber merchants
theatres.
Faults may include:
breakages
dirt
fire damage
marks
poor paint match
rips
stains.
OHS regulations may include:
Australian Recommended Safety Code for Film and Television
commonwealth, state and territory OHS regulations
relevant local government construction rules and regulations
relevant national and international standards, guidelines and codes of practice, e.g. the Building Code of Australia.
Production sites may include:
in a studio
on location - exterior
on location - interior
outside broadcast
sound stage
theatre and entertainment venue.
Facilities may include:
caravans
catering
French braces
lock-up facilities
offices
on-site sheds
safes
sand bags
secure strong boxes
warehouses.
Equipment may include:
communication equipment, such as:
mobile telephones
two-way communication devices
fire extinguishers
first aid kit
generators
gloves
power sources
power tools
safety boots
safety goggles and masks
spray rooms
work benches.
Containers may include:
boxes
braces
cloth bags
crates
road cases
timber frames
tubes.
Continuity may include:
condition, e.g. rips and breakages
mechanical sets, e.g. lifts
miniatures
models
paint quality
placement
special requirements for action sequences.
EVIDENCE GUIDE
The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.
Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit
Evidence of the following is essential:
ability to:
assemble sets for productions in line with production requirements
maintain sets continuity during productions
handle hazardous materials and equipment in a safe manner
collaborative approach to work
effective verbal and written communication skills.
Context of and specific resources for assessment
Assessment must ensure:
completion of set assembly tasks within typical workplace time constraints
access to a range of set components used in productions
access to productions requiring a range of set components
access to appropriate learning and assessment support when required
use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed.
Method of assessment
A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:
direct questioning combined with review of portfolios of evidence and third-party workplace reports of on-the-job performance
direct observation of the candidate assembling sets for productions
inspection of sets assembled by the candidate to determine whether production requirements have been met and proper procedures followed
review of set continuity documentation prepared by the candidate
written or oral questioning to test knowledge as listed in the required skills and knowledge section of this unit.
Guidance information for assessment
Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:
CUESET302A Make sets.
The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria, required skills and knowledge, range statement and the Assessment Guidelines for the Training Package.
Overview of assessment
Critical aspects for assessment and evidence required to demonstrate competency in this unit
Evidence of the following is essential:
ability to:
assemble sets for productions in line with production requirements
maintain sets continuity during productions
handle hazardous materials and equipment in a safe manner
collaborative approach to work
effective verbal and written communication skills.
Context of and specific resources for assessment
Assessment must ensure:
completion of set assembly tasks within typical workplace time constraints
access to a range of set components used in productions
access to productions requiring a range of set components
access to appropriate learning and assessment support when required
use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of learners and the work being performed.
Method of assessment
A range of assessment methods should be used to assess practical skills and knowledge. The following examples are appropriate for this unit:
direct questioning combined with review of portfolios of evidence and third-party workplace reports of on-the-job performance
direct observation of the candidate assembling sets for productions
inspection of sets assembled by the candidate to determine whether production requirements have been met and proper procedures followed
review of set continuity documentation prepared by the candidate
written or oral questioning to test knowledge as listed in the required skills and knowledge section of this unit.
Guidance information for assessment
Holistic assessment with other units relevant to the industry sector, workplace and job role is recommended, for example:
CUESET302A Make sets.
Replaced By
| State Code | National Code | Title | Type |
|---|---|---|---|
| AWG88 | CUASET302 | Assemble and maintain sets | Unit of competency |
| State Code | National Code | Title | Type |
|---|---|---|---|
| J696 | CUA30413 | Certificate III in Live Production and Services | Qualification |
| D194 | CUF30307 | Certificate III in Scenery and Set Construction | Qualification |